FILMOGRAPHY
Blood Lines (2025) | main title design
Gail Maurice, director
Blood Lines (2025) | main title design
Gail Maurice, director
Senna (2024) | main title design
Devastudios for Netflix, Brazil
Devastudios for Netflix, Brazil
Mistletoe Murders (2024) | main title design
Ken Cuperus, showrunner
Ken Cuperus, showrunner
INCOMING (2023) | main on end titles
Dave & John Chernin, directors
Dave & John Chernin, directors
THE SPENCER SISTERS (2023) | main title design
eOne; Alan McCullough, showrunner
eOne; Alan McCullough, showrunner
ELVIS (2022) | end title design
Baz Luhrmann, director
Baz Luhrmann, director
ROSIE (2021) | main title design
Gail Maurice, director
Gail Maurice, director
STRAYS (2021) | main title design
Kevin White, showrunner
Kevin White, showrunner
BAD BLOOD S01 & S02 (2016-18) | main title design
Mark Montefiore / Simon Barry, showrunners
Mark Montefiore / Simon Barry, showrunners
Octavio Is Dead (2018) | main title design
Sook-Yin Lee, director
Sook-Yin Lee, director
Suck It Up (2017) | main title design
Jordan Canning, director
Jordan Canning, director
What Would Sal Do? (2014) | main title design
Andrew De Angelis, showrunner
Andrew De Angelis, showrunner
THE RIGHT KIND OF WRONG (2013) | main title design
Jeremiah Chechik, director
Jeremiah Chechik, director
THE CAPTIVE (2011) | main title design
Atom Egoyan, director
Atom Egoyan, director
TAKE THIS WALTZ (2010) | main title design
Sarah Polley, director
Sarah Polley, director
IRON MAIDEN: Flight 666 (2009) | main title design
Banger Productions
Banger Productions
GLOBAL METAL (2008) | main title design
Banger Productions
Banger Productions
METAL: A Headbanger's Journey (2005) | main title design
Banger Productions
Banger Productions
5ive Girls (2005) | main title design
Warren P. Sonoda, director
Warren P. Sonoda, director
Invitation (2001) | main title design
Samir Rehem, director
Samir Rehem, director
A versatile motion designer and director with a curious mindset, Drew MacEachern specializes in short-form narrative, title design, FUI design, and entertainment marketing. He has contributed to projects for renowned clients including Marvel Studios, Apple TV+, Warner Bros., Prime Video, eOne, Lionsgate, and Netflix.
Drew has collaborated with top agencies having yielded bold, award-winning work that merges design precision with cinematic flair. His approach combines commercial creativity with technical expertise to elevate storytelling across film, television, and branded content.
In 2018, Drew concluded a six-year faculty position at OCAD University in Toronto, with a focus on broadcast design, motion graphics, and typography as a sessional instructor.